I pulled into the driveway of my close friend’s small brick house one autumn afternoon, the air thick and humid, stuck in transition from summer heat. She wasn’t home, but her neighbors’ kids ran and yelled at one another in the front yard next door, enjoying their first few moments of freedom after school.
I jiggled the doorknob and prayed it would open. It turned without hesitation—I exhaled and let myself in. I could have imagined it, but a strange hush filled the rooms as I determinedly made my way to her bedroom, contrasting with the intermittent boom firing in my chest.
The handgun lay exactly where she’d told me I might find it. My hands shook as I dismantled the weapon; I felt silly for this. You’ve killed a deer, for Pete’s sake, Bethany. This is just a handgun.
But I’ve never dismantled a handgun at my friend’s home and held it for safekeeping after she placed it next to her own head the night before, contemplating pulling the trigger.
One small handgun never felt so heavy in my hands.
It was just one moment in one afternoon, in response to one action taken in one moment on one evening, yet the impact of hearing Dickinson’s carriage wheels screeching to a halt has not yet faded. I will never know why my friend chose not to pull that trigger, but thank God she didn’t.
This week, the Ozarks were hit with a line of thunderstorms I’d categorize as a deluge. I waded to my car in my rain boots after a meeting and drove home at 7:30 in the darkness, listening to Iron & Wine’s Trapeze Singer. Another dear soul I love deeply and had to release came to mind, and I literally could not breathe. This was a problem since I was in the process of operating a vehicle in the midst of a downpour. I nearly stopped driving and clutched my chest, tears falling. I’m sure I was making what my friend Tara calls “the ugly cry face,” but I couldn’t help it. For a few seconds, the grief of losing someone invaluable overwhelmed me.
A few days ago while the sun rose and glistened across the horizon, I stood in my backyard, which is nestled deep in the woods, and I noticed the spindly spider webs connecting trees on the hillside waving and dancing in the wind, the dew on each silk thread reflecting light with every tiny movement. Dry leaves fell among them and rustled through the recently raked yard.
I thought about grabbing my camera and attempting to capture this beautiful moment, but I knew it would be in vain. Even the best photographs are poor mirrors of our experiences; life is meant to be lived.
As painful as it is to grieve, to remember, to work through and process trauma, to watch people suffer, and to suffer myself, I don’t want to stop living. I never want to lose the chance to experience beauty that can’t be captured.
Those brief, beautiful moments are enough to serve as a counterweight for me, and I’m grateful for that.
One of my favorite poems, which resonates with me, is “Thanks” by Yusef Komunyakaa.
“… What made me spot the monarch
writhing on a single thread
tied to a farmer’s gate,
holding the day together
like an unfingered guitar string
is beyond me. Maybe the hills
grew weary & leaned a little in the heat.
Again, thanks for the dud
hand grenade tossed at my feet
outside Chu Lai. I’m still
falling through its silence.
I don’t know why the intrepid
sun touched the bayonet
but I know that something
stood among those lost trees
& moved only when I moved.”
Category: gratitude, photography, poetryTags: autumn, blessings, capturing moments, counterweight, crying, Emily Dickinson, friendship, God, grateful, gratitude, grief, gun safety, handgun, Iron & Wine, Iron and Wine, living in the moment, loss, love, moments, Ozarks, photography, poetry, rain, spirituality, suicide, suicide prevention, thankful, thanks, Thanks by Yusef Komunyakaa, Trapeze Singer, Yusef Komunyakaa